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December 8th, 2010

MUSKRAT RAMBLINGS: Imagine @ 10:04 am

Current Location: Studio Muskrat
Current Mood: blah blah
Current Music: "Ticket to Ride" - The Beatles

A column I wrote, 20 years ago - when I was a newspaper person in another life - about something that happened 30 years ago.

LENNON’S LIFE, LYRICS TOUCHED MANY LIVES

By John Kovalic
Wisconsin State Journal

About five years ago, I walked out of Paul McCartney’s “Give My Regards to Broad Street” and into the offices of the UW student newspaper, the Daily Cardinal, to type up my careful, considered review of the movie.

“Somebody,” I wrote, “shot the wrong Beatle.”

In the days that followed, as the Cardinal devoted what I’m still convinced were special issues – but may have been merely entire pages – to my hate mail, I decided to crawl underneath my desk and rethink my position. Friends told me Chicago Tribune columnist Bob Greene had become so violently incensed with my review that he stopped writing about Elvis Presely for a full five minutes to compose a column on how young people these days didn’t understand Paul McCartney.

The Bob Greene reports may have been spurious – I have yet to track down any such column – but if I ever get around to penning my autobiography (tentatively titled “I Wandered Lonely as a Clod”), I’ll probably gloss over what later came to be known as “The Broad Street Affair.”

Instead, I’ll try to focus on McCartney’s recent world tour. Specifically, on a three-song medley he performed in the middle of a block of Beatles numbers at a mobbed Soldier Field in Chicago.

I can’t even remember if he introduced the medley, yet its songs were unbearably wrenching: “Help!” “Strawberry Fields Forever,” and “Give Peace a Chance.”

Songs John Lennon wrote.

To be honest, McCartney’s versions of “Help!” and “Give Peace A Chance” didn’t strike me as anything to write home about at the time. They seemed rushed, and slightly harried. Maybe not dishonest, but not from the heart.

But the emotions I felt as he moved into the opening chords of “Strawberry Fields” were overwhelming.

Maybe it was the deferred hope diffused in “Strawberry Fields” that McCartney captured that night. Or perhaps it was simply his relative difficulty in relating to the lonely pain of “Help!” or the subdued urgency of “Give Peace a Chance” that made the middle song so powerful by comparison.

But – at that moment, during the opening chords of an abbreviated song he hadn’t even written – McCartney transformed his performance from Oldies Concert to Happening.

There seems to be a division among some Beatles fans, between Lennon supporters and McCartney apologists. It’s as if nobody can quite accept the fact that the band that produced “And Your Bird Can Sing” also put “Good Day Sunshine” on “Revolver.”

Every other radio station under the sun will be playing blocks of Lennon’s music today, on the 10th anniversary of his murder. “And Your Bird Can Sing” will undoubtedly be among them.

And at some point, there’ll be a Lennon song – it may be this or any one, it depends on how I’m feeling at the time – that gives me pause, that makes me think back to a cold day during my first year at the University of London, when I couldn’t believe the news.

At the time, I was a staunch McCartney apologist. In a sense – a few movie reviews to the contrary – I still am.

But when I heard the news, I felt cold.

Ten years ago, the BBC pulled its regularly scheduled evening broadcasts in the wake of the murder, and ran the movie “Help!” instead.

At some point today, a radio station will play a song. And I’ll start thinking about how one man can touch so many lives.

(c) 1990, Wisconsin State Journal

I always hated the headline. But the column was - and remains - heartfelt.

Muskrat out,

====== John

 
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From:mythdude
Date:December 8th, 2010 04:11 pm (UTC)
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I've been reading Soviet stuff all morning so when I opened LJ and saw your post on Lennon I thought "Kovalic too?"

:P Just kidding.

I happen to like both. I'm not a huge fan of them but I enjoy both of their types of music, though I'd say McCartney always struck me as more of a pop or light rock artist.
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From:emt_hawk
Date:December 8th, 2010 05:57 pm (UTC)
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A couple of feet down and to the side, and Chapman would have been a hero.

--Hawk
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From:thorkell
Date:December 8th, 2010 06:19 pm (UTC)
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I just have to ask, a lot of Beatles songs have the byline Lennon/McCartney, I don't know if it's the case with the three in the medley. But how do you know which of them Lennon wrote?

Oh, and a bit of tasteless Beatles related stuff. The day George Harrison died (or the day it got on the news) I was in class and one of my fellow student said, upon hearing the news "God is summoning The Beatles in order of talent, which means Ringo will live forever".
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From:muskrat_john
Date:December 9th, 2010 03:41 pm (UTC)
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Mostly, you can tell who wrote the majority of each song by who was on lead vocals.
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From:jocrowfae
Date:December 9th, 2010 01:45 am (UTC)
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Enjoyed the article of your previous incarnation as much as I enjoy the things written by your modern incarnation.
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From:thewayne
Date:December 10th, 2010 03:47 pm (UTC)
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I read an interesting quote in The Beatles' entry on wikipedia, calling McCartney's music "granny shit". Someone once said that the internet is an information resource infinitely wide but only a millimeter thick, and I've come to think of McCartney's music that way. He writes catchy stuff, but not very deep.

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